Hugh Jackman

The 26th annual edition of Gypsy of the Year raised a record-breaking $5,229,611 for Broadway Cares/Equity Fights AIDS thanks to six weeks of fundraising by 64 Broadway, Off-Broadway and national touring companies.

The grand total was announced Tuesday, December 9, 2014, by special guests Hugh Jackman, Nathan Lane and Judith Light after two stellar performances of original dances, songs and skits by more than 200 “gypsies” from Broadway and Off-Broadway shows.

Since 1989, the 26 editions of Gypsy of the Year (#gypsyoftheyear) have raised $62.4 million to benefit Broadway Cares/Equity Fights AIDS. The previous record high for Gypsy of the Year fundraising was $4,895,253 set in 2011.

A standing-room-only audience at the New Amsterdam Theatre, home to Disney's Aladdin, erupted with cheers and applause as Jackman, Lane and Light also presented awards to the top fundraising companies and for the best performances in this year's show.

This year’s top overall fundraiser was The River, which stars Jackman and raised $549,725. For the first time in history, the top two fundraising plays – The River and It's Only a Play – raised more than $1 million.

Here's how this year’s fundraising competition ended:

Broadway (Musical)

Top Fundraiser Kinky Boots $233,544

1st Runner-Up Cabaret $217,699

2nd Runner-Up Beautiful: The Carole King Musical $195,773

3rd Runner-Up The Book of Mormon $193,181

Broadway (Play)

Top Fundraiser It’s Only a Play $464,559

1st Runner-Up The Curious Incident of the Dog in the Night-Time $115,980

Off-Broadway (Play or Musical)

Top Fundraiser Avenue Q $19,237

National Tours

Top Fundraiser Kinky Boots $329,734

1st Runner-Up Wicked – Munchkinland $257,880

2nd Runner-Up The Book of Mormon – Latter Day $242,756

3rd Runner-Up Wicked – Emerald City $205,386

The company of The Lion King took honors for the best onstage presentation for an emotional, socially charged dance, created by Ray Mercer. The number started with the word “Justice” written on a chalkboard wall. In a flurry of arm movements and flying chalk dust, artist Clarione Gutierrez transformed the wall into a dove of peace as dancers personified the struggles of racism and fairness which continue to capture today’s headlines. The cast of Pippin, who will play their final Broadway performance in January, was runner-up as Nicolas Jelmoni and Charlotte O’Sullivan mesmerized the audience with incredible feats of strength and hand acrobatics while Syndee Winters sang Selah Sue’s “This World.”

Gypsy of the Year, which was presented this year on December 8 and 9, is an opportunity for the theatre community to celebrate their fundraising efforts and gather for the competitive variety show.

The show's spirited opening number celebrated the 40th anniversary of The Wiz, one of the first large-scale, big-budget Broadway musicals to feature an all-black cast and winner of seven Tony Awards in 1975.

Triumphantly returning to the yellow brick road, Dee Dee Bridgewater, André De Shields and Ken Page were met with rapturous applause from the energized audience. They were joined for the special performance by Charl Brown (Motown: The Musical), Carly Hughes (Pippin), Christina Sajous (Holler If Ya Hear Me), Ashley Stroud, Alton Fitzgerald White (The Lion King) and Lillias White (Fela). The opening number was directed by T. Oliver Reid and choreographed by Brian Harlan Brooks, assisted by Torya Beard, with music direction and arrangements by Ben Cohn.

In a fitting tribute to the groundbreaking show, White and her cast mates returned to close Gypsy of the Year with a powerhouse rendition of “Home,” the finale from The Wiz.

Noted Broadway personality Seth Rudetsky (“Seth’s Big Fat Broadway” on Sirius/XM Radio), served as host for his seventh consecutive Gypsy of the Year. Rudetsky welcomed a special appearance by James Monroe Iglehart (Aladdin), who performed an impressive freestyle rap based on a random topic yelled out by audience members.

In addition to Pippin, four shows playing their final Broadway performances in January joined the festivities for one last time.

· With a starry night sky as their backdrop, the company of Once performed a hauntingly beautiful acoustic version of the show’s Act One finale, “Gold.”

· After getting word that Justin Bieber might join Rock of Ages for its final week, the show’s Frankie J. Grande broke loose with “I Beliebe,” a parody of “I Believe” from The Book of Mormon dedicated to the teen heartthrob.

· With the help of 16 nimble-legged dancers, Nathan Lucrezio from Rodgers + Hammerstein’s Cinderella fulfilled two of his boyhood dreams in number called “The Rifferdancer,” combining Michael Flatley-inspired Irish step dancing with Mariah Carey-inspired vocal riffing.

· The cast of Motown: The Musical used their final Gypsy of the Year appearance as an opportunity to amusingly beg for work after their show closes, concluding with the plaintive plea, “Hire me please.”

This year's Gypsy of the Year also featured: 

· The cast of Mamma Mia! being forced to re-audition for their roles in a take off of the opening scene of A Chorus Line

· A parody of the heart-wrenching ASPCA public service announcements presented with a Avenue Q spin seeking help for puppets who are “suffering alone, waiting for you to help.”

· A poignant performance about love and loss by the cast of Aladdin, set to BeyoncĂ©’s “Halo” with live singers and a three-piece onstage band.

· The cast of Kinky Boots performing their show as if it were directed by John Doyle, who famously has reinterpreted classic musicals with actors serving as the show’s orchestra by playing instruments.

· The gypsies of Chicago celebrating the production’s place as the second-longest running show in Broadway history.

· The company of Wicked poking fun at the recent TV airing of Peter Pan Live by suggesting a Lady Gaga-as-Tinkerbell alternative.

Gypsy of the Year also featured special numbers recognizing national touring productions and the volunteers who help fundraise during Gypsy of the Year. In a number choreographed by Adam Fleming, Allyson Carr and Jakob Karr led 14 other dancers in a moving tribute to the 16 national tours that helped fundraising this season. The other special number, choreographed by Shea Sullivan, honored the 210 volunteers of the Broadway Cares “bucket brigade” who held buckets 3,778 shifts at Broadway theaters over the course of six weeks of audience appeals. Five of this year's most active bucket brigade volunteers were welcomed onto the stage: Steve Bratton, Francois Conradie, Esi Sogah, Katherine Sulenski and Marivic Tagala.

Celebrity presenters included Lena Hall and Michael C. Hall, who are currently starring in Hedwig and the Angry Inch, and Kevin Duda, Anika Larsen and Jarrod Spector from Beautiful – The Carole King Musical.

The esteemed panel of judges that selected the best presentation award winners was introduced by Lane and Matthew Broderick, who are starring together in the hit comedy It’s Only a Play.

The judges were Julie Halston (You Can't Take It With You), Adam Jacobs and Courtney Reed (Aladdin), Alex Sharp (The Curious Incident of the Dog in the Night-Time), Micah Stock (It's Only a Play), Jujamcyn Theaters Executive Vice President and BC/EFA Board of Trustees President Paul Libin and original Broadway Cares/Equity Fights AIDS staffer Yvonne Ghareeb, who is retiring in January after 26 years with the organization. Also joining the panel are Lee Perlman and Peg Wendlandt, who won their judging spots by being high bidders on exclusive VIP packages at the 28th Annual Broadway Flea Market & Grand Auction in September.

This year's show was directed by Kristin Newhouse with Jason Trubitt serving as production stage manager, leading a team of nine expert stage managers, and Ben Cohn as music supervisor, leading a 15-piece live orchestra. Lighting design was by Michael Jones and sound by Marie Renee Foucher.

Gypsy of the Year is sponsored by The New York Times and United Airlines.

Broadway Cares/Equity Fights AIDS is one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. By drawing upon the talents, resources and generosity of the American theatre community, since 1988 BC/EFA has raised more than $250 million for essential services for people with AIDS and other critical illnesses across the United States.

Broadway Cares awards annual grants to more than 450 AIDS and family service organizations in all 50 states and is the major supporter of the social service programs at The Actors Fund, including the HIV/AIDS Initiative, the Phyllis Newman Women’s Health Initiative and the Al Hirschfeld Free Health Clinic.

For more information, please visit Broadway Cares online at