Showing posts with label TICKETS. Show all posts
Showing posts with label TICKETS. Show all posts

Friday, August 18, 2017


Amazing Kreskin

Our Friend The Amazing Kreskin will perform at The Rockwells in Pelham, NY. Looking for Something Amazing To Do? Come spend your Friday night with The Amazing Kreskin. Enjoy a night of drinks and laughter.

The event will take place tonight Friday August 18, 2017. Ticket prices are $15-20 per person plus a $20 food and drink minimum. Reservations are required. The Rockwells is located at Rockwells 105 Wolfs Lane Pelham, NY 10803. To purchase tickets please visit HERE

Important Show Details:

When: Friday, Aug 18, 2017 8:00 PM (Doors open at 8:00 PM)

Ticket Price: $15.00 - $20.00

Door Time: 8:00 PM

Restrictions: 13 & over

$20 Food and Beverage Min

Reservations Required

Photo Courtesy Of: The Amazing Kreskin 

Saturday, August 12, 2017


James Maslow

Singer, songwriter and actor James Maslow visited the iconic Empire State Building for a acoustic performance of his hit single “Cry” and to promote his debut solo album "How I Like It" yesterday in New York City.

Tuesday, July 25, 2017


Laura Benanti

Laura Benanti was in good spirits and in fashion when she went to The Late Show With Stephen Colbert yesterday in New York City.

Saturday, July 15, 2017

Friday, July 07, 2017


Flo Rida

Flo Rida performed at The Rehab Beach Club at The Hard Rock Hotel & Casino in Las Vegas, Nevada the other day. 

Thursday, July 06, 2017


Jewel With Family & Blue Man Group

American singer-songwriter, musician, guitarist, producer and poet Jewel attended Blue Man Group in Las Vegas at Luxor Hotel and Casino recently. Following the performance, Jewel and her guests were treated to a private VIP meet-and-greet with a Blue Man.

About Blue Man Group Las Vegas 

International entertainment phenomenon Blue Man Group has returned to Luxor Hotel and Casino where they first took Las Vegas by storm. The Blue Man Theater has been custom designed for the ideal Blue Man Group experience with audiences closer to the action than ever before.

Blue Man Productions is a global entertainment company best known for the award-winning Blue Man Group show, performed in over 20 countries and seen by more than 35 million people worldwide since 1991. A dynamic combination of art, music, comedy and technology, the show’s euphoric celebration of human connection has universal appeal for a broad range of age groups and cultural backgrounds. The show is continually refreshed with new music, fresh stories, custom instruments and state-of-the-art technology. Blue Man Group has permanent theatrical productions in New York, Las Vegas, Boston, Chicago, Orlando, Berlin and a World Tour.

This creative collective has become part of the pop culture zeitgeist. Blue Man Group has served as the face of branding campaigns for Intel and TIM/Brasil and appeared countless times on hit shows like “The Tonight Show,” “Arrested Development,” “Ellen,” “Schlag den Raab” (Germany), “WOWOW” (Japan), and “CaldeiraÞo do Huck” (Brasil).

Beyond the stage show, they are Grammy-nominated recording artists, known for their contributions to various film and TV scores and multiple Blue Man Group albums, including their most recent, THREE. Their “Megastar World Tour” rock concert parody played arenas across the globe. The group’s recently published first-ever book, Blue Man World, is a visually stunning anthropological exploration of the curious bald and blue character.

Artist-owned-and-operated and based in New York City, Blue Man Productions has extensive production facilities, a training center, recording studios and a 6,000 square foot Research & Development Lab with numerous new creative projects in the pipeline.


One of the most iconic hotels on The Strip, the Luxor pyramid invites curiosity while its interior rewards visitors with equal parts excitement, mystery and intrigue. This 4,405-room resort features a wide variety of entertainment including the newly reimagined Blue Man Group, Criss Angel’s MINDFREAK LIVE, the provocative adult revue FANTASY, the hilarious comedy of Carrot Top and the exclusive LAX Nightclub. Luxor provides an unparalleled travel destination with world-class exhibits including BODIES…The Exhibition and Titanic: The Artifact Exhibition, a spa and salon, a wedding chapel, an inviting pool complex and delectable restaurants. Luxor also is connected to Mandalay Bay through The Shoppes at Mandalay Place – a collection of boutiques and restaurants. Luxor is an indirect, wholly owned subsidiary of MGM Resorts International (NYSE: MGM). For more information and reservations, visit, call toll free at (877) 386-4658 or find us on Facebook and Twitter.

Sunday, July 02, 2017


Jean Shafiroff

Celebrity philanthropist Jean Shafiroff will be honored by The Southampton Animal Shelter on July 8, 2017, for her fund raising capabilities and philanthropy. To purchase tickets to this glamorous event, please go to

Southampton Animal Shelter is ranked among the top 10 percent of Shelters in the United States. 

Photo Courtesy Of: Shafiroff Collection


Saturday, June 17, 2017



Jay Leno

Jay Leno, the celebrated “Tonight Show” host and comedian, takes the stage at Guild Hall in East Hampton on Saturday, July 1 at 7pm. A benefit dinner immediately follows at a nearby location. This is a rare stand-up appearance on Long Island by this TV late night legend. Don’t miss out! There are two levels of tickets: Performance-only starts at $150 and the Benefit Dinner ticket ranges from $1,000-$1,500 including premium seating and reserved parking.

Performance Only Tickets:

($150-$250) visit, Box Office, or call 631.324-0806.

For Performance & Benefit Dinner tickets:

($1,000-1,500) call 631.324.0806 or visit

The John Drew Theater in the Dina Merrill Pavilion at Guild Hall, 158 Main Street, East Hampton, New York 11937

About Jay Leno

Acclaimed TV late night show host, admired stand-up comedian, best-selling children’s book author, much-in-demand corporate speaker, lovable TV and movie voice-over artist, pioneering car builder and mechanic, and philanthropist…it’s no wonder that Jay Leno is widely characterized as “the hardest working man in show business.”

Jay Leno’s late night television ratings domination included more than two decades of “The Tonight Show with Jay Leno,” winning every consecutive quarter of his hosting over the past 19 years.. After resuming hosting the 11:35 PM program following its one-time interruption, he made it once again the consistent and uninterrupted ratings leader for late night, once again leading all of the ensuing quarters handily, under the supervision throughout of executive producer Debbie Vickers. He has been honored by the Television Academy with an Emmy for “Outstanding Comedy, Variety or Music Series.” “The Tonight Show with Jay Leno” has also taken home the trophy for “Favorite Late Night Show” in the annual TV Guide Awards determined by voting viewers, and he was recently installed in the Television Academy's Broadcast Hall of Fame.

As if night-time dominance were not enough, Leno has also succeeded in the newest entertainment arena. “Jay Leno’s Garage” of which he is a producer as well as star. The NBC creation, which is viewed at, has gained an international following on the Web, not to mention an Emmy Award and two additional nominations for Outstanding Special Class–Short-Format Nonfiction Programs. Leno, himself, is the recipient of the People’s Choice Award and other honors, including the Harris Poll selection as most popular star on television. Other personal highlights include his induction into the Academy of Television Arts and Sciences’ Broadcasting Hall of Fame, his upcoming reception of the John F. Kennedy Center for the Performing Arts’ Mark Twain Prize for American Humor, the Hasty Pudding Award at Harvard University, an honor whose sole prior comedy/talk host recipient was Johnny Carson and an honorary doctorate from his alma mater, Emerson College. Like Mr. Carson, Groucho Marx and an elite group of entertainment figures, he has been invited to have his papers installed in the Library of Congress. He also received a star on Hollywood’s Walk of Fame (asking that it be placed in front of the Ripley’s Believe It Or Not Museum since is where he was arrested for vagrancy when he first arrived in Hollywood. He also has set several land speed records and became the first person to drive the pace car of all major NASCAR events.

An indefatigable performer, Leno loves to test his humor live on audiences across the nation, performing over 100 live appearances in nightclubs, theaters and stadiums each year, including during his long Tonight Show hosting. He has been touted as one of the nicest people in show business and the hardest-working -- a winning tandem for the man who says “Anyone can have a life - careers are hard to come by!”

His “everyman”-style and personality have helped him earn millions of He remains passionate about performing in front of live audiences, including the military, and appears regularly in Las Vegas, on college campuses around the United States and in other venues.

About Guild Hall

Founded over 80 years ago, Guild Hall is the Hampton’s year-round visual and performing arts center wholly dedicated to serving the residents, members, families, and artists of the East End. The center offers enriching experiences by presenting relevant and meaningful programs and events, working in collaboration with artists, and providing a meeting place for the community. For more information, visit

Photo Courtesy Of: Jonathan Marder & Company

Monday, March 06, 2017



LABAlive presents LABAlive Two: Others on Thursday, March 16, 2017 at 7pm in the Theater at the 14th Street Y for an evening of literature, dance, theatre, and subversive teachings exploring the theme of OTHER. The evening will feature teachings by LABA Scholar Ruby Namdar and works-in-progress by LABA fellows Hadar Ahuvia, Abigail Katz, and Gordon Haber. Experience the power of ancient text through a modern lens as the fellows question, challenge, and make meaning through new, provocative art. This unique evening blends artistic disciplines with wine, nosh, and learning for a truly special event.

The LABAlive series consists of three performances, each showcasing the work of the LABA fellows. LABA: A Laboratory for Jewish Culture is a program of the 14th Street Y that uses classic Jewish texts to inspire the creation of art, dialogue, and study. Part of LABA is the House of Study, an artist fellowship program in which a group of artists from various disciplines are brought together to study classic Jewish texts in an open minded, non-religious setting. These studies inspire work which is featured in the LABAlive events series and on Each year's LABA studies are focused around a specific theme. This year's theme is OTHER. Previous themes include Paradise, Eros, Blueprint, Eat, Mother, and Time.

"The LABA theme is chosen every year in early January. When choosing [this year's theme], we didn't realize how poignant and deep it would be to our community and world. The study of ancient texts and the creation of contemporary work help us understand and find empathy for others' points of view, which is crucial in our society." Ronit Muszkatblit, Artistic Director

LABAlive Two: Others melds together literature, dance, and theater with presentations by Gordon Haber, Hadar Ahuvia, and Abigail Katz, respectively. Gordon Haber, author of novellas False Economies and Adjunctivitis, will read from his new book Uggs for Gaza and Other Stories, a collection of stories that investigate themes of displacement, otherness, and silly Australian boots. Brooklyn based dancer and choreographer Hadar Ahuvia (New York Live Arts, EMPAC, Dixon Place, CPR, Danspace Project's Draftwork) will present "Everything you have is yours?" This piece deconstructs instructional videos of Israeli folk dances to uncover the Arab origins of Israeli identity. Finally, Abigail Katz (Atlantic Theatre Company) will present Route One, inspired by Roger Kamenetz's The Jew in the Lotus, which follows the journey of two American friends who join a group of Jewish spiritual leaders visiting the Dalai Lama to discuss exile. These presentations are woven together with teachings by Sapir Award winning scholar Ruby Namdar, focusing on the theme of Other.

For more information about the fellows, projects, and LABA: House of Study, visit

About The Theater at the 14th Street Y

The Theater at the 14th Street Y focuses on social awareness and change through big picture narrative. Inspired by works that welcome artists of all backgrounds, we place artists at the heart of our community and seek to create an inclusive and open cultural experience for all.

Interested in a 14th Street Y Membership? Our members have access to more than 50 fitness classes per week, lap and family swim times, childcare, pick-up games in our basketball gymnasium, and a fitness center filled with a full range of cardio and weight equipment. 

 Photo Courtesy Of: 14th Street Y

Thursday, February 23, 2017


Theater For The New City

NEW YORK -- When the chips are down, are we men or beasts? That's the question of a new tragicomedy by W.M. Akers, "Dead Man's Dinner," which Theater for the New City will present March 23 to April 9 in a production by resident company Squeaky Bicycle Productions, directed by Kathryn McConnell. The piece is an absurdist adventure story set in a dystopian future. New York has been under siege for ten years and three women are struggling to survive in a frigid, rent-stabilized apartment on the Upper West Side. Olympia and her daughter Petra have spent years surviving any way they can. When Petra falls in love with Jackie, an injured soldier, their food supplies are stretched to the limit. Death creeps closer and each woman is torn between love and hunger. Hunger always wins.

The play is realistic at its base, but dialed up a bit with a gossamer level of giddiness. There are reverberations of the experiments of ethologist John B. Calhoun, who tested the effect of overcrowding on rats and advanced an animal model of societal collapse. Amid themes of starvation and desperation in the play, the characters' fear of losing human connection is at its core. The result is a surprising poignancy. The piece is dominated by the battle for Petra's love between her mother and her girlfriend. It is set in an apartment that was once nice but has been turned into a fortress: grimy, utilitarian and militaristic. The door to escape it seems barricaded; it turns out a man has died against it. Everything inside becomes a survival tool, including a skillet that is wielded as a deadly weapon against intruders. With dark humor, the three women are pushed to a brink where we find out where their breaking points are.

Playwright W.M. Akers creates relatable characters and cleverly nods to the unique glories and challenges the city has to offer them. These three women experience the siege from three different socioeconomic and generational vantage points, leaving audiences to wonder how they would respond if faced with such dire circumstances. 

Akers hails from Nashville, TN. He graduated in 2010 from NYU's dramatic writing program, where he received the John Golden Playwriting Prize. A journalist in his "day job," he is a features editor at Narratively and also writes for Deadspin, Vice and others. Squeaky Bicycle has presented two of his previous plays, both directed by Kathryn McConnell. "Tales of Love and Lasers" was three sci-fi stories about people trying to find love and fight loneliness in space. "Pop Dies in Vegas" was about a Justin Bieber-type musician faking his own suicide to live on in legend. Akers' "Cary’s Chainstore Massacre," which Kathryn McConnell directed for another company, was based on a plot to blow up a New York Barnes & Noble by a neighboring independent bookstore. Most of Akers' plays are comedic in their essence. He tends to sets exotic tales of war and conflict in very familiar settings and says that he tries to write serious stuff but then he "gets silly." His plays often tend toward gallows humor with a heavy dose of heart.

Creation of "Dead Man's Dinner" came about as Akers was reading "How To Cook a Wolf" by M.F.K Fisher, a meditation on cooking through hunger, and "Leningrad: Siege and Symphony" by Brian Moynahan, a chilling history of the siege of Leningrad. The perspective on how humans in extremis go to great lengths to preserve their humanity was inspiration for this piece. For Akers, "Dead Man's Dinner" is either a science fiction or an alternate universal survival play. It asks, "If everything breaks down, what is the last thing--for each person--that makes you stop caring or turns you into an animal?"

Director Kathryn McConnell is a co-founder of Squeaky Bicycle Productions. Her other Squeaky Bicycle productions include "Ten Ways on a Gun," "The Last Five Years," "The God Particle," "Tales of Love and Lasers," "The Tragedie of Cardenio," "For Better or Worse," "Récit" and "Supernova." She has a BFA in Dramaturgy from the University of Oklahoma and has worked with Workshop Theater Company, New York Women in Film and Television, Sanguine Theatre Company, NYWIFT, Sanguine, the Hippodrome Theatre, Westport Country Playhouse, OKC Theatre Company, and others. (

Annalisa Loeffler plays Olympia, the mother; Zohra Benzerga plays Petra, her daughter; Kate Garfield plays Jackie, Petra's girlfriend/lover and Marquis Wood plays both of the two brothers who encounter the three women at different times. Assistant director is Brandi Varnell. Set design is by Meg McGuigan. Lighting designer is Christopher D'Angelo. Sound designer is Meg Cully. Fight Director is Casey Mattison. Production manager is Tracy C. Wertheimer. Stage manager is K'Sandra Sampson.

Squeaky Bicycle (, founded in 2010 and dedicated to new works, is now a resident company of Theater for the New City. It is known for its productions of apocalyptic plays. In 2013, it produced "Alligator Summer" by Dylan Lamb at Abingdon Theatre Arts Complex. The play was an audacious farce in which two Louisiana families have taken refuge in an attic, Anne Frank style, after an endless army of alligators have overrun their town. It was subtitled "A Southern Gothic Atrocity in Three Acts." Most recently they mounted "Ten Ways on a Gun" at TNC. The company values the development process, seeking to nurture every contributor's artistic journey, offering a safe place to take risks and explore the depths of their talents. W.M. Akers and Dylan Lamb are resident playwrights of the company. Brandi Varnell is Artistic Director; Kathryn McConnell is Executive Producer and Literary Manager.

Brandi Varnell, Artistic Director of Squeaky Bicycle, writes, "Theater for the New City has been an institution for innovative new work for decades, one of the most known and respected downtown theaters. We could not be more appreciative and more inspired by our residency at TNC. Crystal Field and the staff of TNC have offered us such support and insight as we pursue our artistic vision. They believe in the unique voice of the artists they work with, and we are truly thankful to be nurtured by the innovators and creators at TNC."


March 23 to April 9, 2017
Theater for the New City, 155 First Ave. (at E. 10th Street)
Presented by Theater for the New City and Squeaky Bicycle Productions
Thursdays through Saturdays at 8:00 PM, Sundays at 3:00 PM. Added performance Monday, March 27 at 7:00PM.

$18 general admission; box office (212) 254-1109,
Running time: 90 min. Critics are invited on or after March 23.

Wednesday, February 22, 2017


Terra dei Fuochi

NEW YORK -- "Terra dei Fuochi / Land of Fires" is an environmental performance project blending modern dance, music and documentary theater to tell the story of Campania Felix, an area in Italy north of Naples that suffered devastating loss of life due to a scandal-ridden toxic waste disaster. The piece is a three-person dance with multimedia drawn largely from life stories of mothers in the region whose children "have become angels too quickly." Accompanying the performance will be a booth providing information about Campania Felix and how it can be compared to others around the world. The aim is to provide further education in the increasing land and water contamination issues facing our global community. This world premiere is choreographed and directed and by Bianca Falco (Napoli, Campania - NYC) and composed by Alberto Falco (Napoli, Campania). La MaMa will present the work's world premiere March 23 to April 2 in its First Floor Theater, 74A East Fourth Street.

In the 1980s, hazardous waste disposal became a joint venture uniting the Camorra (an organized crime group), industries from all over Europe and the political class of Naples and Campania into what is now known as an "Ecomafia." A region between Naples and Caserta became known as the Triangle of Death when cancers usually seen in older people became epidemic, taking their cruel aim at children. Illegal dumping there has been widely documented but the trash crisis has only worsened through the parallel problem of the illegal burning of toxic waste, which has brought the region another nickname, the Land of Fires. The situation is a result of decades of secret dealings between manufacturers in Italy and beyond, pressing to avoid the high costs of legally disposing of hazardous waste, and the Camorra, one of Italy's three main mafia organizations, which saw the potential to make huge profits by disposing of it. Some revelations came from the declassified 1997 testimony of Carmine Schiavone, a former treasurer for the Casalesi clan, one of the most powerful Camorra factions. Speaking in secret to an investigative parliamentary committee, Mr. Schiavone described nighttime operations in which mobsters wearing police uniforms supervised the burial of toxic garbage from as far away as Germany. It is believed that the Camorra, seeing its own children dying, stopped burying waste in its back yard a few years ago and is now illegally shipping it off to Eastern Europe and the Balkans.

The region was once known as Europe's vegetable garden and was called by the Romans Campania Felix, the fertile countryside. Agriculture had ceased to be the primary source of income for many farmers there, who were suffering from price competition from Spain, Libya and Greece. They sold or rented portions of their land to companies for waste disposal. The growers stayed afloat with that money, using it to maintain their crops because they had been assured that the waste was not pernicious. Over 20 years or so, more than 10 million tons of illegal, toxic garbage was dumped into fields, caves, quarries and even the Bay of Naples. Cancer rates, malformations and birth defects increased dramatically, with both humans and farm animals affected. Farm products from the region, a major agricultural hub, have continued to be channeled into pasta sauces and frozen soups that are sold domestically and internationally. The effects of toxic drinking water have even been traced to migratory birds. But assertive action has been resisted through the corruption of politicians and fear that the Neapolitan agricultural economy would be compromised. Having failed to counteract the disaster politically at a local or national level, activists are now resorting to exposing the environmental disaster as a worldwide scandal, to at least result in it being monitored.

Director/choreographer Bianca Falco was impelled to create a dance on the subject after reading "The Gospels of the Land of Fire" by Father Patriciello, a priest of the town Caivano, who became kind of celebrity activist after he noticed how the number of "white coffin" (children's) funerals had doubled the number of weddings in his parish. He began organizing the community and serving as spokesman for its bereaved. Falco went on to watch interviews with the suffering mothers and reached out to Noi genitori di tutti (We are the Parents of All,, an association of mothers and fathers in the region who have lost their children to cancer. She started a dialogue with these parents and in particular with Marzia Marzia Caccioppoli, a seamstress whose only child died at age nine of a type of brain cancer usually seen as the result of radiation exposure in adults. Being a trained choreographer and dancer, she set out to portray their tragedy using the conventions of documentary theater and modern dance.

She writes, "As a native of Campania, this is a deeply important and emotional issue for me. After watching the interviews of mothers who lost their babies to cancer and being myself the aunt to nephews and nieces living in the area I was moved to act."

"Terra dei Fuochi/Land of Fires" was granted a residency by at their space XOCO 325 West Broadway in Soho during December, 2016.

To accompany the performance, an informational booth will provide details about the toxic waste situation afflicting Campania Felix and how this situation can be compared to others around the globe. The aim is to provide education on land and water contamination issues facing our global community. The production's blog here.

The ensemble is a collection of artists from Campania and neighboring communities, including Bianca Falco, composer Alberto Falco (Napoli, Campania), lighting designer Marcello Falco (Napoli, Campania) and dancers Bianca Delli Priscoli (Salerno, Campania) and Laura Orfanelli (Abruzzo).

All three Falcos are siblings; they are descended from Raffaele Calace (1863 – 1934), a famed Italian mandolin player, composer, and luthier. He and his brother Nicola were instrument makers in the Neapolitan mandolin family and their atelier continues to this day. (

Bianca Falco’s choreographic language draws from her life experience, dance training and personal research; she creates her own movement vocabulary with elements of Ballet, Modern, Contemporary and Butoh. She was formed in modern dance by Murray Louis in Alvin Nikolais Technique. Her work is theatrical and abstract at the same time, incorporating manipulation of props and using text, which in this production is recorded. The score by Alberto Falco contains three compositions of concrete music and one mixing concrete and contemporary music.

Bianca Falco ( is a choreographer, dancer, dance teacher, certified Pilates teacher, and musician born in Napoli, Italy. Her career began in Italy and after dancing ballet there for several years, she performed in a piece choreographed by Murray Louis and received a scholarship to study modern dance at the Nikolais and Louis Dance Lab in New York City. She also studied Zapateado and Son Jarocho (Veracruz folk dance), jazz dance, and movement for theater, as well as Cyr Wheel, aerial silk, and trapeze. She plays the clarinet and jarana, a Mexican string instrument.

Besides dancing for Murray Louis, her early experiences in Europe included operating her own dance school and receiving first prize in an international video dance competition sponsored by RAI Italian national TV. Her dance/soloist credits include "Freestyle Die Trilogie," an experimental dance theater piece choreographed by Peter Fuxx, which premiered at the famous Schauspielhaus Theater in Vienna. She has also danced for Poppo and the Gogo Boys at the Joyce Theater and performed with Fly-by-Night Dance Theater, a low flying trapeze company.

Her long association with La MaMa includes choreography for several productions, among them "Intermezzo" (La MaMa Moves Dance Festival), "Apnea" (La MaMa NYC), and "Easy" (Spoleto Festival, Italy). From 2000 to 2003, she co-directed an emerging dance company, NuVoLe Dance Theatre, which presented new work at the Present Theater Company, the Montreal Fringe Festival, La MaMa Moves, and Brooklyn Arts Exchange. Her choreographic credits also include the "Acettes" (Artscorporation, The Highline, NYC), "Intermezzo" (La MaMa Moves Dance Festival) and several art/music videos for director Massimo Monacelli in Perugia, Italy.

Falco has also worked as a choreographer and movement director for film, theater and video. She choreographed the music/art video "Somebody to Love" directed by Josh Jordan, the western-themed film musical "A Ballad for Tex" and the short film "ALEX", which won Best Fiction Film and Best Cinematography at the Directors Guild of America's festival Cityvisions in 2011. Most recently, she workshopped "Searching" a dance/spoken word/live music event, performed at the No-Lesque performance art series at the Slipper Room. She creates and performs site specific dances for and acts in "The Zero Hour," Zero Boy's interactive comedy and high art monthly event at The Slipper Room.

Friday, February 17, 2017



Bergen Performing Arts Center located at 30 North Van Brunt Street in Englewood, New Jersey presents Menopause The Musical-Thursday, March 30, 2017 at 8PM.

Menopause The Musical®

GFour Productions, winners of 54 Drama Desk and 44 Tony Awards bring back the international hit show Menopause The Musical® to bergenPAC. Menopause The Musical® is a groundbreaking celebration of women who are on the brink of, in the middle of, or have survived “The Change.”

Now celebrating 14 years of female empowerment through hilarious musical comedy, Menopause The Musical® has evolved as a "grassroots" movement of women who deal with life adjustments after 40 by embracing each other and the road ahead.

Set in a department store, four women meet while shopping for a black lace bra at a lingerie sale. After noticing similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. These women form a sisterhood and unique bond with the entire audience as they rejoice in celebrating that menopause is no longer “The Silent Passage.”

Inspired by a hot flash and a bottle of wine, Menopause The Musical® was created as a celebration of women who find themselves at any stage of “The Change.” The laughter-filled 90-minute production gets audience members out of their seats and singing along to parodies from classic pop songs of the ‘60s, ‘70s and ‘80s.

The hilarious musical has entertained audiences across the country in more than 450 U.S. cities, nearly 300 international cities and a total of 15 countries.


30 North Van Brunt Street

Englewood, NJ 07631
(201) 227-1030

 Photo Courtesy of: Bergen PAC

Thursday, February 16, 2017


The Beach Boys

Englewood, New Jersey - Bergen Performing Arts Center located at 30 North Van Brunt Street in Englewood, New Jersey presents The Beach Boys-Wednesday, March 29, 2017 at 7:30PM. Purchase tickets at or by calling bergenPAC’s Box Office at (201) 227-1030.

The Beach Boys

You can capsulize most pop music acts by reciting how many hits they’ve had and how many millions of albums they’ve sold. But these conventional measurements fall short when you’re assessing the impact of The Beach Boys. To be sure, this band has birthed a torrent of hit singles and sold albums by the tens of millions. But its greater significance lies in the fact that it changed the musical landscape so profoundly that every pop act since has been in its debt.

Captained by Mike Love, The Beach Boys play an astoundingly busy schedule of concerts, averaging 150 shows a year, ranging from sun drenched summer festivals to gala New Year’s celebrations and special events worldwide. In 1974 Mike Love’s concept album Endless Summer ignited a second generation of Beach Boys fans and stirred a tempest that rocked the music world.

Grammy-winning songwriter Bruce Johnston joined The Beach Boys in 1965. Highly regarded as a singer-songwriter, Johnston’s vocal work with such legendary artists as Elton John and Pink Floyd firmly established him among rock’s elite artists.

Had this remarkable band been less committed to its art and its fans, it could have retired from the field with honor at dozens of points along the way, confident that it had made a lasting contribution to world culture. The Beach Boys continue to have fun, fun, fun, with no end in sight.

Love’s role as the band’s front man sometimes overshadows his stature as one of rock’s foremost songwriters. “Surfin’,” The Beach Boys’ first hit came from his pen. With his cousin, Brian Wilson, Love wrote the classics “Fun, Fun, Fun,” “I Get Around,” “Help Me Rhonda,” “California Girls” and the Grammy nominated “Good Vibrations.” Years later, he showed he still had the lyrical chops by co-writing the irresistible and chart-topping “Kokomo.”

In addition to founding Beach Boy Mike Love (lead vocals) and Beach Boy-vet Bruce Johnston (vocals/keyboards)—Jeffrey Foskett (guitar/vocals), Brian Eichenburger (bass/vocals), Tim Bonhomme (keyboards/vocals), John Cowsill of The Cowsills (percussion /vocals) and Scott Totten (guitar/vocals) round out the band.

VIP upgrade available for purchase for ticket buyers at


30 North Van Brunt Street

Englewood, NJ 07631
(201) 227-1030

About bergenPAC

Founded in 2003, the 1,367-seat Bergen Performing Arts Center, or bergenPAC, is the area’s cultural mecca. Housed in a historic Art Deco-style theater boasting one of the finest acoustic halls in the United States, bergenPAC attracts a stellar roster of world-class entertainment. The jewel in our crown is The Performing Arts School at bergenPAC – the innovative, educational performing arts initiative that, through programs, classes, outreach, school shows, and main theater presented shows, reach more than 30,000 students and community youth annually. The Performing Arts School provides community youth, age 2 months to 21 years, with unique, “hands-on” training in music, dance and theater by industry professionals. It is through the ongoing generosity of sponsors, donors, members, and patrons that the not-for-profit 501 (c)(3) corporation bergenPAC and The Performing Arts School are able to thrive and enrich our community.

Photo Courtesy Of: Bergen PAC

Thursday, February 09, 2017



Singer IRA LEE COLLINGS returns to Don’t Tell Mama, 343 West 46th Street, NYC on Friday, February 24th at 7 PM with an encore presentation of Simply, Ira Lee (A Gay Geezer Celebration Through the Looking Glass..warts and all). Ira Lee first presented this celebration of his 80th birthday last spring and then again in October, 2016. He will be joined by Musical Director John M. Cook on piano.

Born in a very small town in Indiana, the youngest of 8 children, Ira Lee began singing on the radio with his sister when they were kids. After studying at Chicago’s Goodman Theatre, he moved to New York where he appeared off-Broadway and in regional theatre, and even opened for the great Dawn Hampton in the 1960s. After many years of performing, he took a 25-year hiatus from show business, re-appearing a few years ago with several successful cabaret appearances in NYC. Anne-Allegra Bennett of Center on the Aisle said "He puts life, energy, and compassion into the music, and from the very beginning, he conveys his range of character and emotion." Kevin Scott Hall,, said: “Collings gives the impression of a life well-lived, with his heart smack-dab in the right place. He gives a self-assured performance, but he offers more than that. It’s a celebration of life itself.” Mark Dundas Wood said "He is a talented storyteller" and in Cabaret Scenes, Joel Benjamin wrote "Ira Lee Collings sings a quiet 'At Last,' a buoyant 'Just In Time,' a very sweet 'He Touched Me,' a moving 'Come In From The Rain' and a triumphant 'Nothing Can Stop Me Now!'

Ira Lee has appeared in the Metropolitan Room Marathon, at the 2016 Aids Day Celebration and placed in the top ten in the "Mama's Next Big Act" competition at Don't Tell Mama. He has also appeared in Cabaret Cares at the Metropolitan Room.

Ira Lee’s show includes songs by Jerry Herman, Mack Gordon and Harry Warren, Lee Adams and Charles Strouse, Bob Merrill and Jule Styne, Rodgers and Hart, Melissa Manchester and Carol Bayer Sager, and Anthony Newley and Leslie Bricusse. Ira Lee says the show includes “something old and something older" and promises a few surprises.

For more info on Ira Lee Collings, visit:


Singer IRA LEE COLLINGS continues his 80th birthday celebration with “Simply, Ira Lee (A Gay Geezer Celebration)" at Don’t Tell Mama, 343 West 46th Street, NYC, on Friday, Feb 24 at 7 pm. $15 cover/2 drink minimum. MAC members: $10 cover/2 drink min. Reservations recommended: (212) 757-0788 or

Photo Courtesy Of: Sheree Sano / SUSAN L. SCHULMAN/Publicity

Sunday, February 05, 2017


The Irish Tenors

Englewood, New Jersey -- Bergen Performing Arts Center located at 30 North Van Brunt Street in Englewood, New Jersey presents The Irish Tenors with members of the New Jersey Symphony Orchestra-Friday, March 10, 2017 at 8PM.

The Irish Tenors powerful vocal line-up of Finbar Wright, Anthony Kearns and Ronan Tynan are unquestionably the leading brand of this genre. All classically trained singers, each having performed in leading concert halls across the world, together they combine to produce a sound and concert experience which touches hearts and stirs the emotions. Happy songs of celebration and humor, mixed with touching melodies and songs that warm the heart.

The Irish Tenors have been touring together since 1998, with sold-out shows at Radio City Music Hall, Sydney Opera House, Carnegie Hall, The Hollywood Bowl, and major concert halls throughout the world. Their faces and voices are familiar to PBS audiences through several specials, including the Ellis Island recordings that sold a million CDs and DVDs. The dazzling technique and depth of feeling that defines this musical genre, amplified to the third power, is the hallmark of The Irish Tenors.

Since they first joined voices in 1998, The Irish Tenors have made countless traditional treasures breathe with new life. Moreover, they’ve proven themselves gifted interpreters of a wide range of material, with such songs as “My Heart Will Go On” (from Titanic), “Fairytale Of New York” (previously recorded by Kirsty MacColl and The Pogues) and even Jimmy Kennedy’s “South Of The Border (Down Mexico Way).” These songs live comfortably in their repertoire alongside “Danny Boy,” “Whiskey in the Jar” and “Fields Of Athenry.” Among their best-selling albums, Heritage ranks as one of the finest with classic recordings of many of the most beautiful Irish songs. We Three Kings is their best-selling Christmas album and includes superb Christmas gems.

Tuesday, January 24, 2017


Tattoo History At South Street Seaport Museum

The South Street Seaport Museum announces its new exhibition, The Original Gus Wagner: The Maritime Roots of Modern Tattoo, beginning on January 29, 2017, open Wednesday - Sunday 11am-5pm, at the Museum's mezzanine gallery level, accessible from the main entrance of the Museum on 12 Fulton Street. An Opening Reception with Live Tattoo Demonstration and a Silent Auction will be held Saturday, January 28, 2017 from 6-8pm, RSVP required.

The exhibition is included with Museum admission: South Street Seaport Museum members: FREE, $12 for adults, $8 for students and seniors, and $6 for children ages 2 - 17. Tickets can be purchased online at or in person at 12 Fulton St.

The Original Gus Wagner: The Maritime Roots of Modern Tattoo explores Augustus "Gus" Wagner's (American, 1872-1941) early life as a merchant mariner and tattoo artist who traveled the world, from 1898-1902, and his return to the United States as a professional tattooist and tattooed man.

Gus Wagner was born in 1872 in Marietta, Ohio, a trading and boat building town on the Ohio River. At age twelve he saw his first heavily tattooed man, "Captain Costentenus the Greek Albanian," in a traveling show. As a young man he hit the road as an itinerant salesman and laborer. In 1897 he boarded the cargo steamer Bellona at Newport News, Virginia, thus embarking on a four-year career as a merchant seaman. By traveling around the world, Gus Wagner got to know many seaports: Vera Cruz, London, Cape Town, Sydney, Auckland, Honolulu, New York, San Francisco, and others. It was during this time that he discovered the art of tattooing. He claimed that he learned to tattoo from tribesmen in Java and Borneo who showed him how to use traditional hand-made tools. By 1901, Gus reportedly had 264 tattoos of his own, (and over 800 by 1908) allowing him to promote himself as "the most artistically marked up man in America." After briefly moving home to Ohio, Gus embarked on a forty-year career as a traveling tattooist, tattooed man, and circus performer. He largely eschewed the new electric tattooing machines that transformed the art form after 1890, and remained faithful to his hand-held instruments. With other wandering artists, he carried tattooing inland from coastal ports, making it part of the culture of small-town America in the 20th century.

The exhibition will show original and reproduced artifacts from the Seaport Museum's Alan Govenar and Kaleta Doolin Tattoo Collection such as tattooing tools, a selection of tattoo flashes (drawings and sketches, on recycled paper based materials, displaying variations of tattoo designs) and a selection of pages from the artist's scrapbook - a 400 page book composed of press clippings, postcards, business cards, sketches, and photographs, that relate to his introduction to tattooing as a sailor.

Due to the fragile condition of the collection, most of the artifacts will be shown via reproductions. A video will show the turning of the pages of Gus Wagner's various canvas books, like Gus's clients were doing nearly a century ago.

The exhibition will familiarize viewers with hand tattoo techniques, and make the case for the importance of researching, documenting, and preserving tattoo collections in museums and research institutes.

The opening reception will take place on Saturday, January 28th, 6-8 pm. Two live tattooing demonstrations, with Gus Wagner original designs, will be part of the event, thanks to Daredevil Tattoo Museum's co-owners Michelle Myles and Brad Fink. A silent auction will also happen during the evening. Auction items include two gift certificates for two Gus Wagner tattoos that Daredevil's co-owners would make at a later date; one walking tour of New York City's tattoo history sites by Michelle Myles; and a few rare signed copies of publications and films on tattooing. All funds raised during the evening will be dedicated toward the conservation of the South Street Seaport Museum's tattoo collection.

Lectures and all-ages public programs will take place throughout the length of the exhibition in collaboration with Daredevil Tattoo Museum and Tattly.

The exhibition is curated by Alan Govenar, with Martina Caruso, Collections Manager and Registrar, and Michelle Kennedy, Collections Assistant at the Seaport Museum. The design and art direction is curated by Rob Wilson and Christine Picone of Bowne Printers, the Museum's historic print shop.

Monday, January 23, 2017


Dr. Lonnie Smith

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2016-17 Jazz series on Saturday, February 25, 2017 at 8pm with 2017 NEA Jazz Master Dr. Lonnie Smith. An authentic master and guru of the Hammond B-3 organ for over five decades, he has been featured on over seventy albums, and has recorded and performed with a virtual "Who's Who" of the greatest jazz, blues and R&B giants in the industry.

Performances of The Dr. Lonnie Smith Trio will be at the Kumble Theater, located at Long Island University's Brooklyn campus in downtown Brooklyn, not at Brooklyn Center's regular venue, Whitman Theatre at Brooklyn College. Tickets are $35 and can be purchased at or by calling the box office at 718-951-4500 (Tue-Sat, 1pm-6pm).

Dr. Lonnie Smith is an unparalleled musician, composer, performer and recording artist. Born in Buffalo, New York, Lonnie was blessed with the gift of music. Through his mother, he was immersed in gospel, blues and jazz at an early age. In his teens, he sang in several vocal groups including his own, the Supremes, formed long before Motown's eventual iconic act of the same name. Lonnie also played trumpet and other instruments at school and was a featured soloist. In the late '50s- with the encouragement of Art Kubera, who owned a local music store that he would visit daily-young Lonnie was given the opportunity to learn how to play a Hammond organ. By completely immersing himself in the records of organists such as Wild Bill Davis, Bill Doggett, and Jimmy Smith, as well as paying rapt attention to the church organ, a young Lonnie began to find his musical voice. "Even though I didn't know how, I was able to play right from the beginning," Dr. Smith reflects. "I learned how to work the stops and that was it. It's a passion for me, so everything else came naturally." Because of Mr. Kubera's kindness, Dr. Lonnie often refers to Art as his "angel."

The Doctor's first gigs were at Buffalo's hottest jazz club, the Pine Grill, where he rapidly garnered the attention of folks like Jack McDuff, Lou Donaldson, George Benson, and the booking agent Jimmy Boyd. George Benson was looking for an organist for his quartet and enlisted Lonnie. The group soon relocated to New York City, where they quickly established a reputation as innovators in Harlem clubs and throughout the area. After appearing on several Benson albums, Lonnie went on to make his first recording as a leader, Finger Lickin' Good, for Columbia Records in 1966. Shortly thereafter, Smith was scooped up to record by saxophonist Lou Donaldson, for whom Lonnie would appear on several epic Blue Note LPs, including the million-seller, Alligator Boogaloo. Blue Note clearly liked what they heard and inked the organist to his own recording contract, a deal which would produce the soul jazz classics Think!, Turning Point, Move Your Hand, Drives and Live at Club Mozambique (released many years later).

Since leaving the Blue Note stable in the '70s, Dr. Smith has recorded for a slew of record labels, including Kudu, Groove Merchant, T.K., Scufflin', Criss Cross and Palmetto, ascending the charts many times. His unpredictable, insatiable musical taste illustrates that no genre is safe, as Lonnie has recorded everything from covers of the Beatles, the Stylistics and the Eurythmics, to tribute albums of Jimi Hendrix, John Coltrane and Beck, all by employing ensembles ranging from a trio to a fifteen-piece big band. Moreover, many of Doc's recent compositions reflect dramatic ethereal qualities and orchestration that elicit movie scores or soundtracks.

Dr. Smith has been amused to find himself sampled in rap, dance and house grooves while being credited as a forefather of acid jazz. When questioned about his consistent interest in music some consider outside the jazz "mainstream," Lonnie shrugs. "Jazz is American Classical," he proclaims. "And this music is a reflection of what's happening at the time... The organ is like the sunlight, rain and's all the worldly sounds to me!"

In 2012, Dr. Smith launched his own record label Pilgrimage Inc., and in 2015, resigned with the iconic Blue Note Records label. Dr. Lonnie Smith's latest CD has been released on Blue Note. (2016)

Friday, January 13, 2017


Cate Blanchett

The Sydney Theatre Company production of THE PRESENT opens Sunday, January 8. Andrew Upton’s new adaptation of Anton Chekhov’s first play, Platonov, THE PRESENT is directed by John Crowley at the Barrymore Theatre (243 West 47th Street) for a limited engagement through Sunday, March 19, 2017.

THE PRESENT features the Sydney Theatre Company cast of 13, each making their Broadway debut, including Cate Blanchett (Anna) and Richard Roxburgh (Mikhail), as well as Anna Bamford (Maria), Andrew Buchanan (Osip), David Downer (Yegor), Eamon Farren (Kirill), Martin Jacobs (Alexei), Brandon McClelland (Dimitri), Jacqueline McKenzie (Sophia), Marshall Napier (Ivan), Susan Prior (Sasha), Chris Ryan (Sergei) and Toby Schmitz (Nikolai).

Set and costume design for THE PRESENT is by Alice Babidge, with lighting design by Nick Schlieper. Stefan Gregory is Sound Designer and Composer.

THE PRESENT is produced on Broadway by Stuart Thompson, Sydney Theatre Company, Jon B. Platt, Scott M. Delman, Ruth Hendel, The Shubert Organization, Robert G. Bartner, John Gore and Jimter Productions LLC.

Variously known as Platonov, Wild Honey, Fatherlessness and The Disinherited, Anton Chekhov’s first play was not discovered until 1920, some 16 years after the playwright’s death. Andrew Upton’s adaptation is set post-Perestroika in the mid-1990s at an old country house where friends gather to celebrate the birthday of the independent but compromised widow Anna Petrovna (Blanchett). At the center is the acerbic and witty Platonov (Roxburgh) with his wife, his former students and friends and their partners. They may appear comfortable, but boiling away inside is a mess of unfinished, unresolved relationships, fuelled by twenty years of denial, regret and thwarted desire.

Cate Blanchett and Richard Roxburgh previously appeared together on the New York stage in Sydney Theatre Company’s acclaimed production of Andrew Upton’s adaptation of Chekhov’s Uncle Vanya. Additionally, Cate Blanchett appeared in New York in Sydney Theatre Company’s productions of Hedda Gabler, A Streetcar Named Desire and The Maids.

Andrew Upton was at the creative helm of Sydney Theatre Company (STC) for eight years from 2008-2015, the first five as co-Artistic Director alongside Cate Blanchett. During the Upton/Blanchett years, STC’s international touring profile increased with tours of Waiting for Godot to the UK, Gross und Klein (Big and Small) to the UK, France, Austria and Germany, both A Streetcar Named Desire and Uncle Vanya to Washington and New York and The Maids to New York. A History of Everything, commissioned by STC as a co-production with Belgian theatre company Onteroend Goed, has also had seasons in Chicago and in Belgium, Holland and the UK while Long Day's Journey into Night played in Portland, Oregon.

Australian critical reception for


“If you are lucky enough to be in Sydney, this is a night of theatre you can’t afford to miss,” noted Nancy Groves in The Guardian of “Andrew Upton’s masterful adaptation of Chekhov’s novice play. Their (Blanchett and Roxburgh) chemistry is electrifying as ever. Masterfully choreographed by director John Crowley.”

Friday, January 06, 2017



Cousins Vivien and Chloe have just inherited their Aunt Isabelle’s bakery, a boulangerie that has been a cornerstone of the neighborhood for years. Chloe wants a new image and product, while Vivien wants to make sure nothing changes. Add to that the complications that new relationships always bring – Chloe’s with a tempestuous Chef and Vivien’s with the banker who happens to have it out for their business and suddenly their clash of ideas leads to a peculiar solution: they split the shop in half with a black line in the middle and each runs her business as she sees fit. Things heat up as they’re forced to fight over every customer who walks in the door. The neighborhood is changing as well, turning into an unlikely blend of young hipsters living alongside elderly people who’ve spent their lives there. But Vivien and Chloe will have to learn to overcome their differences and work together as a team in order to save the bakery as well as everything else that truly matters in their lives.

Coming to VOD and these theaters on January 20

Los Angeles - Laemmle Monica

San Francisco - Presidio Theatre

Boston - Apple Cinemas

Atlanta - Plaza Theatre

Detroit - Cinema Detroit

Chicago - Facets Cinematheque

Cleveland - Tower City

Seattle - AMC Oak Tree

Phoenix - AMC Arizona Center

Washington, DC - AMC Lexington Park

Toronto - Carlton Cinema


Hayden Panettiere

Hayden Panettiere was spotted arriving at The Late Show With Stephen Colbert yesterday in New York City.